Vasudha Dalmia

Picture of Vasudha Dalmia
Professor Emerita
Department
South and Southeast Asian Studies
dalmia@berkeley.edu

Vasudha Dalmia is a Professor Emerita of Hindi and Modern South Asian Studies. The body of her work may be described as the study of cultural formations, grouped around four broad thematic clusters: the politics of religious discourse, transitional cultural phenomena of the 17th, 18th and 19th centuries, the politics of the literature of the new nation-state, particularly of modern Indian theatre, and studies of the position of women in these transitions. Her monograph, The Nationalization of Hindu Traditions: Bharatendu Harischandra and Nineteenth Century Benaras (1997), studies the life and writings of a major Hindi writer of the nineteenth century as the focal point for an examination of the intricate links between politics, language, culture, religion and nationality. Her work on drama, Poetics, Plays and Performances: The Politics of Modern Indian Theatre (2006), tracing the genealogies of theatre in modern at the appropriation of 'folk' theatre as it sought to constitute itself anew after independence. Of her edited works, The Oxford India Hinduism Reader (2007) appeared most recently.

Area of Interest
Hindi and Modern South Asian Studies
Degree
M.A. University of Cologne; Ph.D. Jawaharlal Nehru University 1985; Habilitation, University of Heidelberg 1996
Picture of Vasudha Dalmia

Vasudha Dalmia

Professor Emerita
South and Southeast Asian Studies

Vasudha Dalmia is a Professor Emerita of Hindi and Modern South Asian Studies. The body of her work may be described as the study of cultural formations, grouped around four broad thematic clusters: the politics of religious discourse, transitional cultural phenomena of the 17th, 18th and 19th centuries, the politics of the literature of the new nation-state, particularly of modern Indian theatre, and studies of the position of women in these transitions. Her monograph, The Nationalization of Hindu Traditions: Bharatendu Harischandra and Nineteenth Century Benaras (1997), studies the life and writings of a major Hindi writer of the nineteenth century as the focal point for an examination of the intricate links between politics, language, culture, religion and nationality. Her work on drama, Poetics, Plays and Performances: The Politics of Modern Indian Theatre (2006), tracing the genealogies of theatre in modern at the appropriation of 'folk' theatre as it sought to constitute itself anew after independence. Of her edited works, The Oxford India Hinduism Reader (2007) appeared most recently.